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- and all that - the making of modern British drama.
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Separate different tags with a comma. To include a comma in your tag, surround the tag with double quotes. Please enable cookies in your browser to get the full Trove experience. Skip to content Skip to search. Published London ; New York : Routledge, Language English View all editions Prev Next edition 4 of 7.
Medium [electronic resource] Content Types text Carrier Types online resource Physical Description 1 online resource ix, pages : illustrations.
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Subjects English drama -- 20th century -- History and criticism. Homosexuality and literature -- Great Britain -- History -- 20th century. Literature and society -- Great Britain -- History -- 20th century. Electronic books. English drama. Homosexuality and literature. Literature and society. Great Britain.
Contents 'Why should I care': the politics of vital theatre The new Elizabethans: the docile bodies of funding A writer's theater: the professionalisation of the playwright Oh for empty seats: the Royal court and its audiences Something English: the repatriation of European drama Something un spoken: quoting, queers, and the fear of theatre Sister Mary Discipline: growing up straight at the Royal Court. Notes Description based on print version record. Electronic reproduction. Boulder, Colo. Available via World Wide Web.
English Literature - 20th-century Drama
Access restricted to users at subscribing institutions. Based on the author's thesis. Includes bibliographical references pages and index. View online Borrow Buy Freely available Show 0 more links For both formats the functionality available will depend on how you access the ebook via Bookshelf Online in your browser or via the Bookshelf app on your PC or mobile device. Stay on CRCPress. Preview this Book. Add to Wish List.
and All That: The Making of Modern British Drama - CRC Press Book
Close Preview. Toggle navigation Additional Book Information. Description Reviews. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre.
By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama. Reviews 'This well-written book provides an important interpretive challenge, which both postgraduates and discerning undergraduates should find useful.
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